Marco Ragozza is an Italian singer-songwriter whose path has taken him from the northern regions of Italy to the center of London’s vibrant music scene. At 30, Marco’s profound bond with music started with seven years of training in Italy before moving to London in 2019. There, he refined his skills even more at the Institute of Contemporary Music Performance (ICMP), focusing on songwriting. During his period in the city, he played both individually and with different bands, fully engaging with the diverse music of London. Since October 2023, Marco has completely committed to his solo career, creating a debut album that reflects his profoundly personal artistic vision.
Marco Ragozza’s first album, “Fall and What Comes After”, released on February 21st, 2025, is not just a set of songs; it’s a deep emotional expression. Recording at the renowned MiddleFarm Studios in Devon, the album delves into themes of yearning, despair, reminiscence, and the presence of suicidal thoughts. However, amidst this darkness, a strand of hope persists, a subtle yet constant reminder that even in the depths of hopelessness, light can still emerge.
Central to the album is Marco’s evocative vocal performance, serving as both narrator and confessor. His voice transitions seamlessly between tender delicacy and powerful intensity, making each lyric resonate personally. The album’s auditory terrain reflects this emotional richness; soft acoustic sections are juxtaposed with bursts of vibrant energy, creating a listening journey that is both dynamic and personal.
Fall and What Comes After Album Track List:
No Rebels Here:
“No Rebels Here” acts as an ideal opening line for “Fall and What Comes After”, establishing the album’s reflective and emotionally intense atmosphere. The track opens with a soft tune that is both welcoming and substantial, pulling the audience into Marco Ragozza’s realm with a subtle power. The production is thoughtfully controlled, permitting the natural warmth of the instruments to resonate. Nuanced atmospheric layers intertwine within the mix, enriching the song’s fragile yet captivating essence. Ragozza’s singing, presented in a soft yet emotionally impactful way, conveys a subtle urgency that feels intensely personal while also being universally understood.
As the song evolves, its arrangement reflects an emotional journey, beginning as a gentle, personal creation that slowly builds in both power and vigor. Ragozza’s voice, originally quiet, grows in intensity, and the instrumentation mirrors this, evolving into a stronger and more expressive passage. This development is neither hurried nor contrived; instead, it progresses organically, allowing the audience to experience the gradual increase of feeling. The equilibrium between restraint and freedom is skillfully achieved, showcasing Ragozza’s talent for creating an engaging auditory experience.
Despite its soaring moments, “No Rebels Here” ultimately reverts to its original gentle vibe, finishing as softly as it commenced. This repetitive framework enhances the song’s emotional intensity, creating a lasting feeling of contemplation. The production guarantees that every nuance is recorded with precision, creating an exceptionally personal vibe for the track. As an introduction, “No Rebels Here” doesn’t impose itself on the listener; rather, it secures its position with Its eerie authenticity and subtle elegance, preparing the way for the profoundly intimate experience that comes next.
Another Man:
“Another Man,” the third song on “Fall and What Comes After,” adds an extra layer of intensity to the emotional journey of the album. Beginning with a steady beat and a gentle, yet rhythmic guitar, the piece starts off with a feeling of tranquility, establishing a strong base for Marco Ragozza’s laid-back and effortless vocal performance. In these initial moments, there’s a subtle calmness, a misleading serenity that suggests something more dynamic lies beneath the surface. As the melody progresses, it doesn’t stay static. Before long, a denser sonic presence emerges, transitioning the mood from contemplation to a more pressing, restless intensity.
As the song advances, its energy amplifies with an unmistakable feeling of intensity. The instrumentation becomes increasingly complex and powerful, with the bass rumbling under the mix and the drums thumping persistently, preventing the song from ever finding complete stability. Ragozza’s vocals, somewhat subdued, take on a livelier, more energetic tone, reflecting the increasing intensity of the music. The track develops with a restless energy, as guitar tones dynamically change, transitioning from consistent rhythms to bursts of distortion and grit. The production embraces this rawness, making certain that each feedback surge and distortion crackle appears intentional.
Even with its newly discovered vigor, “Another Man” always maintains its composure. The track ascends and descends with meticulous accuracy, every summit and dip contributing to its vibrant motion. The balance between restraint and liberation maintains the listener’s interest, evoking a feeling of inner struggle within the music. It’s a song that vibrates with energy, capturing both irritation and forward motion, and in this way, it serves as a significant highlight within “Fall and What Comes After,” a piece that will not be overlooked, insisting on focus through its genuine feelings and unyielding force.
Forget Her:
“Forget Her,” the fifth track on “Fall and What Comes After”, opens with a sense of quiet anticipation, the drumstick count-in that feels almost like a breath before speaking. From the very first moment, the song establishes itself as one built on restraint, where silence holds as much weight as sound. Marco Ragozza’s vocals enter in a near-whisper, fragile yet deliberate, carrying the heavy weight of emotions that linger between longing and resignation. His delivery feels deeply personal, wavering between mournful and reflective, making every lyric land with aching authenticity. The sparse instrumentation anchored by a steady beat creates space for this vulnerability to resonate.
Throughout the track, there is a delicate interplay between Ragozza’s voice and the instrumentation, as if they are in constant conversation. His emotive delivery gives life to every word, embodying the raw sentiment of the lyrics without excess. The arrangement remains intentionally understated, each instrument contributing just enough to enhance the song’s emotional weight. There’s a certain intimacy in how the song is constructed, as if the listener is overhearing a deeply personal confession.
As “Forget Her” reaches its climax, the emotions that have been held back finally break through. The vocals swell, the instrumentation rises, and the song bursts forth with a passionate intensity, momentarily abandoning its earlier restraint. Yet even in its most powerful moments, there’s a sense of unresolved tension, as if the song itself is hesitant to let go. By the time it ends, “Forget Her” leaves the listener suspended in a beautiful space between remembering and moving on, a space where emotions linger long after the final note fades.
Sad For No Reason:
“Sad For No Reason” is a fitting and poignant closer to “Fall and What Comes After”, embodying the album’s overarching themes of introspection and emotional weight. The track opens with a gentle melody, accompanied by Marco Ragozza’s stripped-down, delicate vocal delivery. There’s a fragility in his voice, as if every word is placed with careful intention, creating an atmosphere that feels intimate and deeply personal. The production embraces this raw simplicity, allowing the space between notes to carry just as much meaning as the music itself. It’s a song that feels light in instrumentation yet undeniably heavy in emotion, making every moment resonate.
As the track unfolds, its dynamic nature becomes more apparent. Ragozza takes the listener on an emotional journey, with the composition rising and falling in a way that mirrors the ebb and flow of unspoken feelings. The soft, airy quality of the arrangement allows the emotions to seep through naturally, never forcing its impact but rather letting it settle deeply. Then, at the 3:04 mark, the energy shifts, the vocals gain intensity, the music swells, and the song momentarily breaks free from its restrained nature. It’s a powerful, cathartic moment, a release of built-up emotion that adds depth and dimension to the composition.
Despite its surges in intensity, “Sad For No Reason” never loses its delicate core. It moves like a wave, building, breaking, and then receding, making the entire composition feel like an emotional rollercoaster. This fluid dynamic keeps the listener engaged. As the final notes fade, the song leaves behind a lingering stillness, a moment of reflection that perfectly encapsulates the essence of the album. It’s not just an ending, it’s a conclusion that lingers, ensuring that “Fall and What Comes After” leaves a lasting impression.
Each track carries weight, whether through sparse, breathy arrangements or grander, atmospheric builds, nothing feels excessive. Every note, every pause, and every subtle echo has been placed with purpose. The production at MiddleFarm Studios plays a crucial role in maintaining this balance. Rather than over-polishing, the album embraces raw imperfections, allowing Marco’s authenticity to shine through. The clarity of the recording ensures that every nuance is felt as much as it is heard.
“Fall and What Comes After” is not just an album, it’s an immersive emotional experience. It lingers long after the last note fades, inviting listeners to sit with their own emotions, to reflect, and to find solace in the music. For anyone seeking an album that doesn’t just entertain but resonates on a deeply human level, Marco Ragozza’s debut is a must-listen.
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Listen to “Fall and What Comes After” by Marco Ragozza and many more in our Rock / Electric Guitar Based playlist.
